by Andrew Rossiter

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    It all began when the lights went out. I was just sitting down to watch the News at Ten on televi­sion one stormy evening last Jan­uary, when everything went black.
    "Damn," I thought, hunting round for a torch. "The fuses have gone." Ella found a torch in a drawer and a feeble gleam of light filled the room. I went to the fuse box and open­ed it up; all the fuses were O.K.
    "It's a power cut, isn't it?" said Ella.
    I could hear her in the kitchen looking for the candles. Suddenly she called. "Jim, there's a couple of dogs barking outside the window. They're in the garden, I can see them!"
    "So what?"
    "Well get rid of them, we don't want dogs in the garden: how did they get in anyway? The gate's shut."
    "Must be the storm; it's blown the gate open."
    Grabbing a walking stick, I went out into the garden. The whole village was in darkness, ex­cept for a couple of jabs of light from torches down the road; but I couldn't see any dogs.
    The wind was surging in off the sea, and I could hear the roar of the surf on the beach beyond the dunes; as for the gate, it was shut. I supposed the dogs had got in through a hole in the fence.
    It was just then that I heard the barking; or at least it sounded like bark­ing. And shouting too. It was coming from the sand-dunes. In the dark of the storm, I couldn't re­ally make out land from sky, but if I was not mistaken, there were peo­ple on the top of the dunes, and they seemed to be waving their arms. For a moment, I thought I saw torches, then it was all dark again. I decided to invest­igate.
    Going inside, I grabbed my cape and hat; "I'm just going down to the dunes," I called, "I think there's someone down there having problems. It's probably old Tom and his boat."
    The rain was cutting my face as I unlocked the back gate and made my way across the grass to the dunes. It didn't matter that it was pitch dark out there; I knew the way so well that I could have crossed the dunes blindfolded with my hands tied behind my back.
    I still thought I could hear voices; in fact, I was sure I could. For a moment it sounded like chil­dren screaming. I quickened my pace. Perhaps someone was in trouble. Maybe I should have brought a rope and a lifejacket.
    The sand fell away under my feet as I climed to the ridge of the dunes and looked over. Shielding my eyes from the spray-flecked wind, I peered into the darkness. Now I could hear nothing but the wind in my ears, and see nothing but the unbroken lines of the crashing waves. There was no sign of any people.
    I looked back towards the house: the lights had come back on again, but between me and the vil­lage, I could see the beam of a torch; someone was com­ing to­wards me.
    A voice called: "That you Jim?"
    It was Old Tom, I could rec­ognize his voice a mile off.
    "What's going on? What's the noise?"
    "I don't know. I can't see any­thing. Did you hear voices too?"
    "Sounded like shouting," said Tom as he puffed up to the top of the ridge. He shone his torch in the direction of the rolling waves, but its weak beam showed nothing except rain, pebbles and the dunes.
    "Where's your boat Tom?"
    "Oh she's O.K. I pulled her up last week when they said there'd be storms...." He paused. "Funny that, you know. I could have sworn I heard shouting."
    "How did you know it was me?" I asked. "You must have eyes like a night hawk."
    "No, Ella said you'd come over here. I came out 'cos I heard the dogs barking, then I heard the voices, so I came to get you."
    We listened. "They've stopped," he added.
    "I guess it was just sound ef­fects with the wind and the waves."
    "I suppose so. There's noth­ing here."
    A particularly violent gust of wind almost blew us off our feet.
    "C'mon Tom, let's get back in­side. The lights are on again. Come and have a nightcap!"
* * *
    I opened a can of beer, Tom preferred his usual tot of rum.
    "Funny about those voices," he said after a while. "It reminds me of a story my Grandfather always used to tell me when I was a kid, all about the night when a Dutch bar­que was blown ashore here. Half the people on board were drowned; there were kids among them. He was a kid too at the time. It must have been a very long time ago."
    Tom went home, and I went to bed.
    During the night, the storm died down. When the pale blue dawn broke, bands of silvery grey clouds stretched across the wind-swept sky.
    Out of curiosity, I walked down to the beach before going off to work, just to see what it looked like.
    The horizon was hard and wide, the stony beach was de­serted. It was all quite normal. The only thing new was a small pile of waterlogged wooden planks on the shore.
    "Driftwood", I thought. Tom'll have that for his fire."

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Driftwood.    Student worksheet  

Comprehension: read or listen to the story on the audio file, then answer these questions:

 

Statement and implication: answer these other questions about the story:

Lesson plan

This story is accompanied by an audio file.
Class method:  Have pupils listen to it a first time, without following the printed or onscreen texts; then ask them these simple basic questions. What's the story about? When and where does it take place? Who are the three protagonists?
Explain some of the key words if pupils do not understand them: power cut, storm, fence, waves, driftwood.
Then play the audio file through a second time, allow­ing pupils to follow the text if they need to. A third reading may be necessary, but should not be for most classes, for though the story runs for over five min­utes, the language is fairly simple.

Now either a) ask pupils to answer the questions above, or to tell the story in their own words - or both!
Only after you have done the comprehension questions and/or the résumé‚ exercise, should you then proceed to study the text in detail.

Text study: Have pupils pick out all the --ing words in this text (excluding words like evening, of course!) as they read through it, and divide them into different categories: progressive tenses (including the progres­sive infinitive form), verbal nouns (gerunds), adjectives, participles.
    Next have pupils each select ten of the -ing words, and rewrite the sentence in which they occur, without using an ing form.
Note: before they do this, ask them which category of ing words it will be very difficult to modify? The answer is of course the progressive tense -ing forms.


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This teaching resource is © copyright Linguapress renewed 2022.
Originally published in Freeway, the Intermediate level English newsmagazine.
Republication on other websites or in print is not authorised

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